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tafkam -> RE: What Could BE Changed? (4/11/2008 1:51:20 PM)
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quote:
I can see some truth in your statement. While there are a ton of groups on the road in the gospel music genre, many sing a form of bubble gum gospel. Heaven forbid we sing or talk about sinners, hell, and most of all, the redeeming power of the shed blood of Christ. I'm not sure I agree with this. Every gospel concert I've attended, regardless of style, usually has at least a couple of songs about the blood or the cross or the ressurection. Personally, I think it is possible to get a little "heavy handed" on the "blood songs", just like it is possible to get too much into the "praise" side without acknowledging the reason we praise. The trick is finding the appropriate balance. As for what could be changed to increase the visibility and appeal of SG....as an admitted SG outsider, I'll offer this: SG is seen by many average joes as a sort of "second tier" Christian music style, lacking much of the professionalism found in CCM or even Black Gospel. (I'm not slamming SG artists, as there are many talented musicians in the field, just making an observation from talking to other Christian music fans and pastors) It's been well documented that, with a few notable exceptions, SG record companies aren't as involved with promoting and grooming their artists as other genres. This leaves the groups often times having to make imaging and marketing decisions on their own (which can be disastrous). SG needs a label like a Word or Integrity or Sparrow, to really get their artists out their into some high visibility situations. To it's credit, SG really strives to remain what it is, which is admirable. But it's also a double edged sword, because so many of our younger folks gravitate to what is current. Not wanting our artists to grow and be innovative as times change can be a death knell. Understand, I'm not saying that SG groups need to become more CCM, but consider, SG has changed stylistically since the 50's, without compromising what it is. Such change is still possible: you can remain current and relevant without losing your identity. I guess SG just changes style more slowly than other genres. Hey, I do CCM, and in the course of fifteen years I've gone from doing youth concerts to senior adult events, without changing style at all! You can imagine where such a paradigm shift would put a musical style that is already more closely associated with traditional music. Sorry, I know that's a lot of thoughts in one posting, and I hope it all makes sense!
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